Tuesday, September 20, 2016

The face in the middle: or, am I clowns?




This picture reminded me of a certain non-joke I kept hearing a few years ago, mainly because I heard it wrong. The original was quite poignant, but it was hashed or rehashed in one of those dystopia/sci-fi movie things that I hate so much, the Watchmen or something.

After Robin Williams died, it became apparent to most people that this sad-clown joke kind of explained the whole thing. To paraphrase it badly:

Doctor, Doctor, I have this unbearable existential pain. 
Then go see this fantastic clown, he will cheer you up. 
But I AM this fantastic clown! 

This was supposed to explain the death of Robin Williams.




Robin Williams died because he had something called Lewy Body Dementia which is far worse than Alzheimers and slowly eats its victims alive. He was a wraith, a shell of himself, and his "suicide" was his way of taking a final bow after his life had already come to a close. Could he have gone on? There was no "on" to go to. People have chosen physician-assisted suicide for less.

Though his Parkinson's disease is very rarely mentioned, no one ever says anything about the Lewy Body because it came out in the autopsy results a few weeks later. By that time, everyone had lost interest. He was a tragic clown, that's what he was, it was all settled, and besides, what the hell is all this Lewy Body stuff? He was romanticized as a tragic victim of Hollywood and his own excesses. The truth is, he died of a horrible disease.

Thus, yet another opportunity for the public to learn something landed in the sewer.




The famous picture of Chaplin and Einstein at the top of this post surfaced today as I perused the Weekly World News - oops, I mean The Vintage News, my current favorite source of internet comedy. There was a caption featuring a supposed conversation they had. Something like this:

Einstein: Must be nice to have the whole world love you when you never say a goddamn thing.

Chaplin: Nobody knows what the hell you're talking about, so would you please shut up?

I am sure they never had this conversation! I am making it up out of whole cloth.  But I did find many, many versions of it in many languages on internet memes with photos of the two of them together, two stuffed shirts, one the Stuffed Shirt of Physics and the other the Stuffed Shirt of Silent Comedy. So I guess it brought back the clown thing, the bad joke endlessly replicated and memed to death.

But that's not why I'm posting this.




As usual, the comments section in The Vintage News is the best part (especially that guy who always strenuously defends Hitler. His Facebook page has all sorts of war medals and shit on it.) There were the expected comments about what beloved figures Chaplin and Einstein were, along with people telling each other to fuck off (for no reason at all except that they could), and then someone said, "wait. What is that creepy face in the middle?"  

Can you see it? It seems to be peeping over Chaplin's shoulder.

Good question! Secret Service? I wondered. These guys may or may not have been wearing bulletproof vests under their tuxes. But maybe not! Einstein kept trying to work out how he could make himself into a time traveller, while Chaplin wanted to dominate whatever time he had here and now. Meantime, here is this guy! This mysterious figure - in dark glasses, is it? And on the left, you see more shadowy figures. I keep thinking I see Don Corleone of The Godfather.

These are either beings from another dimension, or - time travellers. 




I also want to set something straight that everyone gets wrong. The joke about the clown - they always call him Pagliacci. That means "clowns". So the punch line is, "but Doctor, I AM clowns." Unless you're making one of those wretched unfunny jokes about "schizophrenia", it makes no sense. "Pagliaccio" would be closer, but it means "Clown". "I am clown". The main character in the opera Pagliacci is called Canio, but no one would say, "I am Canio". Sounds like a dog or something. 

Another thing. I don't know how many times I've heard Leoncavallo's opera called I Pagliacci.
That means something like "I clowns", which is worse than "I am clowns". I'm not sure where this got started, but there are even excerpts from the opera posted on YouTube labelled WRONG, and it  just pisses me off. 

The aria posted above isn't from Pagliacci and it isn't by anyone alive. But it is my favorite aria, and by one of my favorite singers, who did not survive long enough to prove his true greatness. As a tenor, his voice would have bloomed some time in his late 40s, so he had all his best years ahead of him.







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Lazy Cat Doesn't Get Up to Drink Water


Monday, September 19, 2016

Zoom-zoom: the 1940 Mercury Westergard custom convertible





Come back, Melanie! . . . I didn't mean it!





Perhaps I did. But in dissing a couple of Melanie Safka songs, I think I may have thrown the reborn baby out with the baptismal bath water.

This is a really good song! I heard Nana Mouskouri sing it decades ago, but never thought to ask/find out who wrote it. We had no internet then, and to find anything like that out you had to grub around trying to read record labels in the dark, splashing wine all over them.


So now, all these years later, it all joins up.

It took me a few tries to find a version I really like (and I posted the Mouskouri one before deciding it was really too pretty for the Safka offbeat style/sardonic lyrics). The one you see most often on YouTube is a very early performance in which she sits alone onstage with her guitar, looking about 20 years old and frankly terrified. That one bothers me for reasons I can't articulate. She looks nervous and coughs, as if she'd rather not be there. I also found one from the Mike Douglas Show - why does that show now seem so utterly crass, while Dick Cavett is still semi-bearable? - but it struck me as over-produced, almost country-westernish, and the song got lost. But then I found this one.

The words are all there, so I don't need to do any of those lame little things with lyrics and photos and gifs and PicMixes! But my life would be nothing without such sad little diversions. Such as this.




Saturday, September 17, 2016

Really stupid things about the '60s



As with most of my posts, this one started off as something else: '60s phrases that are still in common useage today. This is unusual, given that by the '50s, most of the lingo from the '30s and '40s was kaput. Nor do we say "Daddy-o" or -. I cannot think of ONE more phrase from the 1950s still in use.

Likewise, the '70s: who remembers catch-phrases from that bland polyester era? All I can think of is "stayin' alive, stayin' alive," and that isn't really a catch-phrase at all.

But I do know that in the '70s, nobody said "23 skidoo". Nobody said "I love my wife, but oh you kid". And most especially, no one said that syllable that everyone used to preface EVERY sentence: "Saaaaaaaaaaay!"

Likewise, "I think you're swell". Or, "Are you sore at me?" Those phrases only exist in late-night movies on TCM.




But it never ceases to surprise me how often expressions from the 1960s still crop up in ordinary conversation, usually among people who didn't live through that memorably confused era. It was, shockingly, 50 years ago, and hanging on to catch-phrases like that never happens - never has before, and never will again. These are, in alphabetical order, as follows:

Boggles the mind
Blows my mind
Bummed out
Bummer
Do your own thing
Far out
Freak(ed) out
Freaky
Guilt trip
Hangup
Laid back
Lay a trip on
Mind-blowing
Mind-boggling
(not) my bag
(not) my thing
Oh wow!
Ripoff
Spaced out
Trip
Tripped out
Turned off/on
Uptight
Wiped out
Wired

Add your own, but these are the ones I skimmed off the top. Most of them are lame, and seem creaky and anachronistic, even inappropriate, in a setting like 2023 when most people aren't talking much at all any more (not even into their phones - they talk with their thumbs now, which is why we evolved with opposable thumbs to begin with). But still they pop up with alarming regularity, every day.


Having run out of ideas about this, I started thinking about related lame '60s things that somehow never go away.  And oh boy, there are a lot.

Item: 1960s pop songs with unintelligible lyrics. I already covered the Dada-ist mishmash Nikki Hoeky in another post (and I don't want to go there again). In some cases, there is just ONE line you can't decipher, a line that drives you absolutely crazy and leads to one bizarre mondegreen after another.

Like so:

A Hard Day's Night

It's been a hard day's night, and I've been working like a dog
It's been a hard day's night, I should be sleeping like a log
But when I get home to you I find the things that you do
Will make me feel alright

You know I work all day to get you money to buy you things
And it's worth it just to hear you say you're going to give me everything
(so what's the next line, what's the next line, what's the next line?)




So why on earth should I moan,
 'cause when I get you alone
You know I feel OK

(etc. etc.)

OK, what did YOU think it was? It was just an unintelligible blob of words to me. I don't know if anyone got it. No one asked, because even then, nobody listened to the words anyway, until Bob Dylan came along.

She Loves You

She loves you, yeah, yeah, yeah
She loves you, yeah, yeah, yeah
With a love like that
You know you should be glad

You know it's up to you
I think it's only fair
 (next line, next line, next line)




Pride can hurt you too
Apologize to her

Because she loves you
And you know that can't be bad
Yes, she loves you
And you know you should be glad, ooh

That one, I thought, was "frighten her to do", which doesn't make much sense unless you take into account John Lennon's shocking possessiveness with women ("I'd rather see you dead, little girl, than see you with another man").

And then there are a few songs that are just plain stupid, that make NO sense or are so dumb we can't quite believe they made the Hit Parade.




Little Green Bag

Lookin' back on the track for a little green bag,
Got to find just the kind or I'm losin' my mind
Out of sight in the night out of sight in the day,
Lookin' back on the track gonna do it my way.

Lookin' for some happiness
But there is only loneliness to find
Jump to the left, turn to the right
Lookin' upstairs, lookin' behind!

Lookin' back on the track for a little little green bag,
Got to find just the kind or I'm losin' my mind,

Alright.

(Note: the rest is just endless repetition).




Little Black Egg

I don't care what they say
I'm gonna keep it anyway
I won't let them stretch their necks
To see my little black egg with the little white specks

I found it in a tree
Just the other day
And now it's mine, all mine
They won't take it away





Here comes Mary, here comes Lee
I'll bet what they want to see
I won't let them stretch their necks
To see my little black egg with the little white specks

Oh, goldurn, what can I do?
The little black egg's gonna tell on you
I won't let them stretch their necks
To see my little black egg with the little white specks

The little black egg... [repeat to fade]

The "little black egg". Right. Knowing the '60s, people probably argued all night long in an altered state  of consciousness about "what does it mean?"





Beautiful People

Beautiful people
You live in the same world as I do
But somehow I never noticed
You before today

I'm ashamed to say
Beautiful people
We share the same back door
And it isn't right






We never met before
But then
We may never meet again
If I weren't afraid you'd laugh at me

I would run and take all your hands
And I'd gather everyone together for a day
And when we're gather'd
I'll pass buttons out that say




Beautiful people
Never have to be alone
'Cause there'll always be someone
With the same button on as you

Include him in everything you do.
Beautiful people
You ride the same subway
As I do every morning




That's got to tell you something
We've got so much in common
I go the same direction that you do
So if you take care of me

Maybe I'll take care of you
Beautiful people
You look like friends of mine
And it's about time

That someone said it here and now
I make a vow that some time, somehow
I'll have a meeting
Invite everyone you know




I'll pass out buttons for
The ones who come to show
Beautiful people
Never ever have to be alone

'Cause there'll always be someone
With the same button on as you
Include him in everything you do
He may be sitting right next to you




He may be a beautiful people too
And if you take care of him
Maybe he'll take care of you
'Cause all of the beautiful people do

And you're all beautiful people too




OK now, where do I start? It's just the general sappiness that I object to here. Melanie Safka DID have some good songs, I'm pretty fond of the "brand new rollerskates", Candles in the Rain was OK, and she wrote one - I just found out - called The Nickel Song that I heard Nana Mouskouri do decades ago, and loved. The lines that leap out and assault me are "'Cause there'll always be someone/With the same button on as you". I think of Eldridge Cleaver and "Kill All the White Men".

It's just that general, swampy, I-love-absolutely-everybody sentiment that sticks in my throat. "I'd gather everyone together for a day" for some reason reminds me of the afternoon I was held prisoner by some Jesus freaks in the 1970s. To this day I remember the mindlessness, the void I saw in their eyes, and I wonder whatever happened to them all. "Everyone" could include pimps, serial killers, Neo-Nazis, or . . . am I just too jaded by the horrors of 2016? No! This thing is DISGUSTINGLY naive! It's just. . .sorry, Melanie, I can't buy it. I don't have the same button on as you.




Any Guy

I was bored
I would not compromise
Wanted more
So I looked in your eyes
But it could have been any guy's
It could have been any guy's eyes
But your eyes were there
And they started to stare
But don't think that I care - No.




Now you got
The feeling you're great
'Cause we shared
A few looks
And I made one mistake
But it could have been any one
I was looking for that kind of fun
And you were right there
In love, all is fair
But don't think that I care




Now you got
A new friend I know
So I'm packing my things
And I'm going to go
Please don't make a scene
Don't cry
You can't stop me if you try
I love being free
It's the best way to be
Is she as pretty as me, huh?
Is she as pretty as me, huh?
Is she as pretty as me, huh?
Is she as pretty as me, huh-huh?
Is she as pretty as me, huh.

I included the whole lyric here because the ending is so obnoxious/nonsensical. I first heard Melanie perform this on The Mike Douglas Show, except that I didn't know it was Melanie because unless you read fan magazines, you didn't know what pop stars looked like, and I missed the introduction. It was the "huh, huh" stuff that drove me crazy, and the INTENSE way she did it. Before singing it, she explained to Mike that it was "kind of torchy". I didn't know what that meant.





ADDENDA. Hey, guess what! I found out some stuff here (on Wikipedia, so it MUST be right) that makes SOME sense of these lame lyrics. As with Nikki Hoeky, Little Green Bag might be a mixup in translation:

"Little Green Bag" is a 1969 song written by Dutch musicians Jan Visser and George Baker (born Hans Bouwens), and recorded by the George Baker Selection at the band's own expense. The track was released as the George Baker Selection's debut single by Dutch label, Negram, with the B-side being "Pretty Little Dreamer".

The track's original title was "Little Greenback", in reference to the color of the US dollar. The first line of the lyric, "Lookin' back on the track for a little greenback", has three rhymes (underlined); "green bag" would not be a true rhyme. However, the single was given the erroneous title, "Little Green Bag", which some took to be a "bag of marijuana". The "Little Green Bag" title was then retained for all subsequently released versions of the single as well as the group's 1970 debut album, also titled Little Green Bag. This is an example of a mondegreen.

I realize this explanation is a lot longer than the song. Sorry. But if you want to prove this to yourself, just listen to the recording of The Little Green Bag. It's very plain he isn't saying "green bag" at all, but "greenback". The k sound is very distinct. But we don't hear it that way unless we're expecting to. Makes me wonder about all the other things we accept on faith, because everyone else is doing it, or because we've been told it's the way it is - even though "they" are plainly wrong.




The Little Black Egg

"The Little Black Egg" is a song first performed by Daytona Beach, Florida garage band The Nightcrawlers in 1965. It was a minor hit in both the US and Canada, reaching number 85 on the US Billboard charts in 1967, while doing slightly better in Canada, where it hit number 74. The song has been since covered by multiple artists including Inner City Unit, The Lemonheads, Tarnation and The Cars. It was The Nightcrawlers' only hit, though many have claimed it was the first guitar riff they learned during the mid-'60s. The song was written in 1965 for an Easter concert, in which the band opened for The Beach BoysAllmusic reviewer Matthew Greenwald describes the song as a "slightly bizarre nursery rhyme", with lyrics about a rotten bird's egg. Other explanations claim the song referenced miscegenation in segregated Florida.

Ohhhh. . . kay.  "I found it in a tree, just the other day." Miscegenation. Sorry, guys, it just does not work.

I do remember my friend Carmen's mondegreen on this song, so potent that everyone in the schoolyard went around singing it wrong:

"To see my little black apron with the little white specks."

At least it makes a bit more sense.


Friday, September 16, 2016

Lady wedge/China doll/girl head/leader lady









 








In the motion picture industry a China Girl is an image of a woman accompanied by color bars that appears for a few frames (typically one to four) in the reel leader. A "China Girl" was used by the lab technician for calibration purposes when processing the film (with the still photography equivalent being a "Shirley Card"). The origin of the term is a matter of some dispute but is usually accepted to be a reference to the models used to create the frames - either they were actually china (porcelain) mannequins, or the make-up worn by the live models made them appear to be mannequins.